Network 1976 Inhaltsangabe & Details
Dem Nachrichtensprecher Howard Beale, einst ein gefeierter Star, droht nach 25 Jahren wegen sinkender Quoten die Entlassung. Vor laufender Kamera macht er sich in einem wütenden Ausbruch Luft und jagt damit prompt seine Ratings wieder in die Höhe. Network ist eine US-amerikanische Filmsatire aus dem Jahr Sidney Lumet führte Regie nach einem Drehbuch von Paddy Chayefsky. Howard Beale, der. Es ist keine leichte Aufgabe, vor der Max Schumacher (William Holden), Nachrichtenchef beim Fernsehsender Network USB, steht. Er soll. Der im Jahr erschienene Film "Network" ist ein filmisches Juwel, das bis heute nichts von seiner Aktualität eingebüßt hat. Geschildert wird die Geschichte. "Network", mit vier Oscars ausgezeichnet, schildert den absurden Quotenkampf im Fernsehen. Als Nachrichtensprecher Howard Beale Peter Finch.
"Network", mit vier Oscars ausgezeichnet, schildert den absurden Quotenkampf im Fernsehen. Als Nachrichtensprecher Howard Beale Peter Finch. Howard Beale (Peter Finch) ist ein Prophet. Schon vor 40 Jahren, das Fernsehen hat gerade seine mediale Vormachtstellung errungen. Network ist eine US-amerikanische Filmsatire aus dem Jahr Sidney Lumet führte Regie nach einem Drehbuch von Paddy Chayefsky. Howard Beale, der. Edit Storyline In the s, terrorist violence is the stuff of networks' nightly news programming and the corporate visit web page of the UBS Television Network is changing. Kommentar speichern. TV Tonight. Trailers and Videos. Nutzer https://footballstatistics.co/serien-stream-legal-kostenlos/bsto-sao.php sich diesen Film vorgemerkt. Sidney Lumets "Network" hat auch diese Eigenschaft: die Thematik. Official Sites. Farb-Format Farbe.
Deutscher Titel. Vereinigte Staaten. FSK Sidney Lumet. Paddy Chayefsky. Howard Gottfried. Elliot Lawrence.
Owen Roizman. Put the script in the mail. He prepared for the audition by listening to hours of broadcasts by American newscasters, and by weeks of reading the international editions of The New York Times and the Herald Tribune into a tape recording, then listening to playbacks with a critical ear.
Gottfried recalled that Finch "was nervous as hell at that first meeting over lunch and just like a kid auditioning.
Once we'd heard him, Sidney Lumet, Paddy, and I were ecstatic because we knew it was a hell of a part to cast.
Lumet wanted to cast Vanessa Redgrave in the film, but Chayefsky didn't want her. Lumet argued that he thought she was the greatest English-speaking actress in the world, while Chayefsky, a proud Jew and supporter of Israel, objected on the basis of her support of the PLO.
Lumet, also a Jew, said "Paddy, that's blacklisting! Dunaway was cast as Diana in September Lumet told her that he would edit any attempts on her part to make her character sympathetic and insisted on playing her without any vulnerability.
Lumet cast Robert Duvall as Frank Hackett. Duvall saw Hackett as a "vicious president Ford ". Ned Beatty was cast as Arthur Jensen on the recommendation of director Robert Altman after the original actor failed to live up to Lumet's standards.
Beatty had one night to prepare a four-page speech, and was finished after one day's shooting. Straight had won a Tony Award in for playing an anguished wife who similarly is cheated upon in Arthur Miller's The Crucible.
After two weeks of rehearsals, filming started in Toronto in January Lumet recalled that Chayefsky was usually on the set during filming, and sometimes offered advice about how certain scenes should be played.
Lumet allowed that his old friend had the better comic instincts of the two, but when it came to the domestic confrontation between Holden and Straight, the four-times-married director had the upper hand: "Paddy, please, I know more about divorce than you!
Finch, who had suffered from heart problems for many years, became physically and psychologically exhausted by the demands of playing Beale.
There was some concern that the combination of Holden and Dunaway might create conflict on the set, since the two had sparred during an earlier co-starring stint in The Towering Inferno.
According to Holden biographer Bob Thomas, Holden had been incensed with Dunaway's behavior during the filming of the disaster epic, especially her habit of leaving him fuming on the set while she attended to her hair, makeup and telephone calls.
One day, after a two-hour wait, Holden reportedly grabbed his costar by the shoulders, pushed her against a soundstage wall and snapped, "You do that to me once more, and I'll push you through that wall!
Lumet and cinematographer Owen Roizman worked out a complicated lighting scheme that in Lumet's words would "corrupt the camera".
Lumet recalled: "we started with an almost naturalistic look. For the first scene between Peter Finch and Bill Holden, on Sixth Avenue at night, we added only enough light to get an exposure.
As the movie progressed, camera setups became more rigid, more formal. The lighting became more and more artificial.
The camera setups are static and framed like still pictures. The camera had also become a victim of television. The film premiered in New York City on November 27, , and went into wide release shortly afterward.
Network opened to acclaim from critics, and became one of the big hits of — In a review of the film written after it received its Academy Awards, Roger Ebert called it a "supremely well-acted, intelligent film that tries for too much, that attacks not only television but also most of the other ills of the s," though "what it does accomplish is done so well, is seen so sharply, is presented so unforgivingly, that Network will outlive a lot of tidier movies.
Not all reviews were positive: Pauline Kael in The New Yorker , in a review subtitled "Hot Air", criticized the film's abundance of long, preachy speeches; Chayefsky's self-righteous contempt for not only television itself but also television viewers; and the fact that almost everyone in the movie, particularly Robert Duvall, has a screaming rant: "The cast of this messianic farce takes turns yelling at us soulless masses.
The consensus states, "Driven by populist fury and elevated by strong direction, powerful acting, and an intelligent script, Network ' s searing satire of ratings-driven news remains sadly relevant more than four decades later.
Screenwriter Aaron Sorkin wrote that "no predictor of the future—not even Orwell —has ever been as right as Chayefsky was when he wrote Network.
The film's noted line "I'm as mad as hell, and I'm not going to take this anymore" and its derivatives are referenced in numerous films and other media, including Mad As Hell , a satirical Australian news show starring Shaun Micallef.
The same camera angle is employed in both instances. In the first episode of Studio 60 on the Sunset Strip , a character's on-air breakdown is compared to that of Beale by news reporters.
At the Academy Awards , Network won three of the four acting awards the only other film to achieve that was, A Streetcar Named Desire in , when it won in three of the acting categories.
Peter Finch died before the ceremony and was the only performer to win a posthumous Academy Award until when Heath Ledger won Best Supporting Actor.
The statuette itself was collected by Finch's widow, Eletha Finch. Beatrice Straight's performance as Louise Schumacher occupied only five minutes and two seconds of screen time, making it the shortest performance to win an Oscar to date breaking Gloria Grahame 's nine minutes and 32 seconds screen time record for The Bad and the Beautiful in From Wikipedia, the free encyclopedia.
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The Attic. Retrieved July 27, The New York Times. Die Quote steigt daraufhin rapide und die ganze Nation möchte live verfolgen, ob Howard seine Ankündigung wahr macht.
Er tut es nicht, stattdessen hält er aber eine Wutrede gegen alles und jeden, seine Arbeitgeber eingeschlossen.
Ganz Nord-Amerika feiert ihren neuen Wutbürger Howard und so bleibt auch Programmchefin Diana Faye Dunaway nichts weiter übrig, als ihrem gehassten Mitarbeiter eine neue Sendung anzubieten.
Seine Prophezeiung soll sich jedoch bewahrheiten und Howard verliert in den folgenden Sendungen immer mehr an Bodenhaftung und beginnt plötzlich fragwürdige politische Ansichten zu verbreiten.